Hostile Takeover Ch 10/10

Hydrangeas and Xanax

The phone was still in my father's hand when I grabbed it.

"Hello?" My voice came out steady. Wrong. Should've been shaking. "Victoria?"

"Sloane." Her accent made my name sound like a diagnosis. "How lovely to finally speak directly."

Behind me, Callum was trying to stand. Failing. My father reached for the phone. I turned away.

"Where is she?"

"Your mother? Safe. Comfortable. I've put her in one of the guest rooms at the estate—the blue one, overlooks the gardens. She always did love hydrangeas."

My nails found the signet ring. Twisted it. "You don't know what she loves."

"I know she's been sober for six months and four days. Quite the accomplishment. Though I imagine the stress of tonight might test that resolve." A pause. Fabric rustling. "She's asking for her pills. The ones she keeps in the false bottom of her jewelry box. Xanax, I believe? Or is it Valium? I can never keep track."

The warehouse fire crackled behind me. Heat on my back. Ice in my chest.

"What do you want?"

"A conversation. You, me, and your father. Tonight. The Hargrave estate. Come alone—well, the three of you. Leave the authorities out of it. If I see a single police car, a single federal agent, your mother takes her pills. All of them. Do you understand?"

I understood that she'd just told me exactly how she planned to kill my mother. Understood that she wanted me to know. Wanted me to spend the drive there imagining it.

"We'll be there."

"One hour. The gate code is 1847. Don't be late, darling. Your mother's sobriety is such a fragile thing."

The line went dead.

I lowered the phone. My father was watching me. Callum had made it to his feet, one hand braced against the car.

"She wants us at the estate," I said. "One hour."

"It's a trap." Callum's voice was still raw. "She'll kill you all."

"Probably." I looked at my father. "You know the estate?"

"I built half of it." He was already moving toward the driver's side. "Get in."

"Wait." Callum caught my arm. His palm was burned. Blistered. He didn't let go. "You can't just walk into—"

"My mother is in there."

"Your mother is bait. Victoria wants you dead. All of you. The second you step through that door—"

"Then we don't use the door." I pulled free. Looked at my father over the car roof. "You said you built it. You know another way in?"

the dynamic tilted in his expression. Not quite a smile. "The wine cellar. There's a service entrance. Victoria doesn't know about it—I had it installed after she and Callum's father married. Wanted a way out if things went south."

"They went south."

"They did."

I opened the passenger door. Stopped. Turned back to Callum. He was still standing there, swaying slightly, covered in soot and blood and the ashes of everything that could've saved us.

"Go to a hospital," I said.

"No."

"You can barely stand."

"I'm coming with you."

"This isn't your fight anymore. She burned the evidence. It's over."

"It's not over until she's—" He stopped. Coughed. Blood on his lips. "Until she's stopped."

My father started the engine. "We're leaving. Now. With or without you."

Callum looked at me. His eyes were still streaming from the smoke. Or maybe not from the smoke.

"Please," he said.

I'd never heard him say that word before. Didn't know he knew how.

"Get in the car."


We drove in silence for the first ten minutes. My father took side streets, avoiding main roads. The city slid past the windows—dark buildings, empty sidewalks, the occasional lit window where someone was still awake, still safe, still living a life that didn't include warehouses burning and mothers held hostage and men who said please like they were learning a foreign language.

Callum was in the back seat. I could hear his breathing. Rough. Uneven. He needed a hospital. Needed stitches and oxygen and someone who wasn't me.

"There's a first aid kit under your seat," my father said.

I found it. Pulled it out. Twisted to look at Callum.

"Let me see your hands."

He held them out. The burns were worse than I'd thought. Second degree. Maybe third on the right palm. I opened the kit. Found gauze. Antiseptic. Started cleaning the wounds.

He didn't make a sound.

"You should've stayed outside," I said.

"The evidence was inside."

"The evidence is ash."

"I had to try." His voice was quiet. "I had to—she's my mother. I had to try to stop her."

I wrapped gauze around his right hand. His fingers were shaking. Mine weren't. Wrong. Should've been shaking.

"Why?" I asked.

"Why what?"

"Why stop her? She's your mother. Your family. Your legacy. Everything you're supposed to protect." I started on his left hand. "Why choose us?"

He was quiet for a long time. Long enough that I thought he wouldn't answer. Then:

"Because legacy without love is just an expensive tombstone."

I stopped wrapping. Looked up at him.

"Who told you that?"

"You did. In the car. After the gala. You said—" He paused. "You said your grandmother told you that. That she'd rather have a small life full of people who mattered than a big life full of people who didn't."

I'd forgotten I'd said that. Forgotten he'd been listening.

"I thought you didn't believe in small lives," I said.

"I didn't." He looked down at his bandaged hands. "Then I watched my mother burn a building to hide what she'd done. Watched her take your mother. Watched her choose power over—" He stopped. "Over everything else."

"Over you."

"Over everyone."

I finished wrapping his hand. Tied off the gauze. Didn't let go.

"She's still your mother," I said.

"She stopped being my mother a long time ago." He looked at me. "Maybe she never was."

My father cleared his throat. "We're five minutes out. I'm going to park two blocks away. We'll approach on foot."

I released Callum's hand. Turned back around. The Hargrave estate was visible now—a sprawling mansion on the hill, lit up like a cruise ship, like a beacon, like a trap.

"Tell me about the service entrance," I said.

"It's on the east side. Hidden behind the hedge maze. Leads directly to the wine cellar. From there, we can access the main house through the kitchen."

"Security?"

"Cameras. Motion sensors. But they're on a separate system from the main house. I can disable them if I can get to the control panel."

"Where's the control panel?"

"Wine cellar."

"Of course it is." I looked at him. "And my mother? Where would Victoria keep her?"

"Guest wing. Second floor. Blue room, like she said." His teeth pressed together. "She's telling the truth about that. Victoria always tells the truth when it serves her."

"What about when it doesn't?"

"Then she tells a better lie."


We parked on a side street. Got out. The night was cold. Clear. Stars visible despite the city lights. Wrong. Should've been raining. Should've been thunder and lightning and pathetic fallacy making this easier to process.

Instead: stars. Silence. The distant sound of traffic.

My father led us through a gap in the hedge. The estate grounds were massive—acres of manicured lawn, gardens, fountains. The kind of wealth that required a full-time staff just to maintain the illusion of effortless beauty.

"Stay close," my father whispered. "Stay quiet."

We moved through the gardens. Past rose bushes and stone benches and a gazebo that probably cost more than my apartment. The hedge maze loomed ahead—eight feet tall, dense, designed to confuse.

My father didn't hesitate. Turned left, then right, then left again. He knew the path. Muscle memory. How many times had he walked this route? How many times had he needed an escape?

The service entrance was exactly where he'd said—a small wooden door, half-hidden by ivy, easy to miss if you didn't know to look.

He tried the handle. Locked.

"I've got it." Callum stepped forward. Pulled something from his pocket. A key.

We both stared at him.

"What?" he said. "I grew up here. I know where the spare keys are hidden."

He unlocked the door. It swung open. Darkness beyond. Stone steps leading down.

My father went first. I followed. Callum brought up the rear, pulling the door shut behind us.

The wine cellar was exactly what it sounded like—rows of bottles, temperature controlled, probably worth more than most people's houses. My father moved to the far wall. Found a panel. Opened it.

"Give me two minutes," he said.

He worked quickly. Wires. Switches. The kind of thing that should've required tools but apparently didn't if you'd installed the system yourself.

I looked at Callum. He was leaning against a wine rack. Breathing hard. The bandages on his hands were already spotted with blood.

"You should wait here," I said.

"No."

"You're hurt."

"So are you."

I wasn't hurt. Wasn't bleeding. Wasn't burned. But he was right—something in me was broken. Had been breaking since the moment my father walked into my office. Since the moment I'd learned that the life I'd built was constructed on lies.

"Done." My father closed the panel. "Cameras are off. Motion sensors disabled. We have maybe ten minutes before someone notices."

"Then we move fast." I headed for the stairs. "Where's the kitchen?"

"Through that door. Then left. Then—"

"I know where it is." Callum pushed past me. "Follow me."

We moved through the house like ghosts. Silent. Quick. The kitchen was industrial—stainless steel and marble and appliances that probably cost more than my car. Beyond it, a hallway. Then stairs.

Callum stopped at the base of the stairs. Held up a hand.

Voices. Coming from above.

"—don't understand why we're waiting." A man's voice. Unfamiliar. "Just kill them when they arrive."

"Because I want them to see." Victoria. "I want them to understand what they've lost. What they never had a chance of keeping."

"And the woman?"

"She's leverage. For now. Once they're here—" A pause. "Well. Accidents happen. Especially to recovering addicts."

Footsteps. Moving away. A door closing.

Callum looked at me. Nodded. We started up the stairs.

The second floor was quieter. Carpeted. Paintings on the walls—originals, probably. The kind of art that existed to prove you could afford it. We passed a library. A sitting room. A hallway lined with closed doors.

"Third door on the right," my father whispered.

We approached. The door was closed. No sound from inside.

I reached for the handle. My father caught my wrist.

"Let me," he said.

"She's my mother."

"And she's my—" He stopped. "Let me."

I stepped back. He opened the door.

The room was exactly as Victoria had described—blue walls, hydrangeas visible through the window, a four-poster bed. My mother was sitting on the edge of the bed. Hands folded in her lap. Still wearing the clothes she'd been wearing when I'd left her apartment. How long ago? Hours? Days? Time had stopped making sense.

She looked up. Saw my father. Went white.

"David?"

He crossed the room. Knelt in front of her. Took her hands.

"I'm here," he said. "I'm going to get you out."

"You're—" She touched his face. "You're real. You're actually—"

"I'm real."

She started crying. Silent. Tears streaming down her face. He pulled her into his arms. Held her. Twenty years of absence collapsing into this moment.

I looked away. Gave them privacy. Saw Callum watching them. Something in his expression I couldn't read.

"We need to move," I said.

My father helped my mother stand. She was shaking. He kept an arm around her waist.

"Can you walk?" he asked.

"I can run if I have to."

"You might have to."

We moved back into the hallway. Toward the stairs. Almost there. Almost—

The lights came on.

All of them. Every light in the house. Blazing. Blinding.

Victoria's voice came from everywhere at once. Speakers. Intercom system.

"Did you really think I wouldn't notice the cameras going offline?" She sounded amused. "David, darling, I've upgraded the security since you left. Motion sensors are just the beginning."

Footsteps. Coming from both ends of the hallway. We were surrounded.

"The blue room was perfect, wasn't it?" Victoria continued. "I knew you'd come for her. Knew you'd use the service entrance. Knew you'd think you were so clever." A pause. "You're not clever, David. You're predictable. You always have been."

The footsteps were closer. Men in suits. Armed. At least six of them.

My father pushed my mother behind him. Callum moved to my side. We were trapped. Cornered. Exactly where Victoria wanted us.

"Now then." Victoria's voice was silk over steel. "Let's have that conversation. All of you. Downstairs. The study. Don't make this difficult—I'd hate for anyone to get hurt before we've had a chance to talk."

The men closed in. Guns drawn. Not pointing. Not yet. But the threat was clear.

We had no choice.

We went downstairs.


The study was exactly what I'd expected—leather furniture, floor-to-ceiling bookshelves, a fireplace large enough to stand in. Victoria was sitting behind a massive desk. Perfectly composed. Hair perfect. Makeup perfect. Like she hadn't just orchestrated a kidnapping and arson in the same night.

"Sit," she said.

We didn't sit.

She smiled. "Suit yourselves. Though I should warn you—standing is so much more tiring than sitting. And this might take a while."

"What do you want?" My father's voice was flat. Dangerous.

"What I've always wanted. Control. Security. The certainty that my family's legacy will continue." She looked at Callum. "Though it seems my son has decided to throw that legacy away for—what, exactly? A girl? How disappointingly ordinary."

"Let them go," Callum said. "This is between you and me."

"Oh, darling. This stopped being between you and me the moment you chose them over your own blood." She stood. Walked around the desk. "But you're right about one thing. This does end tonight. One way or another."

She pulled something from her desk drawer. A gun. Small. Silver. The kind of weapon that looked decorative until it killed you.

"I'm going to give you all a choice," she said. "David, you can leave. Take your ex-wife. Disappear again. I'll even give you a head start. Twenty-four hours before I come looking."

"And Sloane?" my father asked.

"Sloane stays. She's been quite the thorn in my side. I think it's time we removed that thorn."

"No." My mother's voice. Stronger than I'd expected. "No. You let her go. Take me instead."

Victoria laughed. "How noble. But I'm afraid you're not valuable enough to trade. You're just—" She waved the gun dismissively. "Collateral. A means to an end."

"Then what's the end?" I asked.

She looked at me. Really looked. Like she was seeing me for the first time.

"The end is you understanding that some fights can't be won. Some enemies can't be beaten. Some legacies are too powerful to destroy." She raised the gun. Pointed it at my chest. "The end is you learning that lesson. Permanently."

My father moved. Fast. Putting himself between me and the gun.

"David, don't be tedious." Victoria's finger was on the trigger. "Move."

"No."

"I will shoot through you to get to her."

"Then shoot."

The room went silent. Even the men with guns seemed to be holding their breath.

Victoria's smile faded. "You'd die for her? After everything? After twenty years of running, of hiding, of choosing survival over family—you'd die for her now?"

"Yes."

"Why?"

"Because she's my daughter." His voice didn't shake. "Because I've already lost twenty years. I'm not losing another second."

Something flickered in Victoria's expression. Not quite emotion. Not quite human. But something.

"How touching," she said. "How absolutely—"

The window exploded.

Glass everywhere. Shards flying. Someone crashing through. Rolling. Coming up with a gun.

Not someone. Multiple someones. Federal agents. Vests. Weapons. Shouting.

"FBI! Drop your weapon!"

Victoria spun. Fired. The agent ducked. Returned fire. The bullet hit the wall behind her. She dove behind the desk.

Chaos. Gunfire. My father grabbed my mother and me. Pulled us down. Callum was already moving. Toward Victoria. Toward the desk. Toward—

"Callum, no!" I screamed.

He didn't stop. Reached the desk. Victoria rose. Gun aimed at his chest. Point-blank range.

"You chose wrong," she said.

And pulled the trigger.

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